Pakistani contemporary artists draw serious and humor on the puzzle with fine painting methods

When I was a kid,一线资讯 I played the puzzle that was very happy. I did not expect to become a painting board in the hands of the artist.The character's face was split and reorganized. The contemporary Pakistan artist created a unique dynamic painting dynamic to explore the different aspects of the character's personality.

Portrait puzzle

How to create a sense of sports in the static picture is not only the problem of exploring outstanding artists such as Picasso and Duchamps in painting, and to the contemporary Pakistan art, Gatjad Ali TalpurArtistic thinking.

AMJAD was born in Hyeraba, Pakistan. He has been working and living in this city for many years. His hometown's traditional culture and living environment have brought him countless inspiration.

AMJAD’s art works cannot be appreciated roughly,His portrait paintings are divided into mosaics of small images in the form of puzzle, not equal to the overall ratio of reduced painting.The face of the character is decomposed into a tile -shaped tablet, and it is re -arranged into a picture of not harmonious.

The composition of the image draws the connection between the work and the audience, and let them participate in the domestic, economic and social pressure issues facing the artist himself.AMJAD grew up in developing countries, and corruption was ubiquitous. Religion, politics, justice, and daily life were closely related, which also created the significance of his artistic works.

like he said:"My work handles the possibility of the form of visual effects. I enjoy the work process and enjoy the sense of randomness, interest and humor in practice. This allows me to comment on the status quo of society."

His works reflect the society and the culture of his life and feelings. He talks about the current problems with the work as a media. Sometimes he shows like a peaceistist and sometimes like a guardian.

The Muga Empire and fine paintings

In terms of painting, AMJAD is influenced by traditional artistic paintings, especially the fine paintings of Emperor Mo Hug.The protagonist of the portrait of his puzzle, most of the middle court ministers and officials from the illustration of Emperor Mughar's illustration "Padsama".

When he read an article related to the King of Mughal, he found that the illustrations about the king were all in hunting, fighting, and uprightness in court. All the paintings were to praise them.At the point.

These people with vital power leverage are portrayed as lonely characters managed by the upper layer in huge power games, but amjad feels that everyone has a good side with a good side, and he feels confused in such a one -sided point of view.

Therefore, he began to try to decompose and re -arrange drawn portraits to output subtle critical views on history and modern environment. At the same time, thinking about a form of art: why is the picture always static?

By bringing a sense of movement to the creation of the composition and form exploration, the different aspects of the character's personality are discovered.

Facing serious themes of humor

The history of the Muga Empire is still an important theme of AMJAD portraits. At the same time, he followed the traditional practice and painted on Valari.Valan is a traditional handmade paper for fine painting. It is made of five pieces of drawing with the dough. After drying, it becomes as hard as wood.

Traditional paper is the basis of inspiring his inspiration. In addition to making Vasley paper for painting, AMJAD also handmade brushes and mixed paint painting.After the painting is completed, they will be re -arranged into a striking pattern to attract the audience.

Despite discussing the theme of human greed, amjad has not showed profound topics with serious means.As his portrait is embodied, humor is an equally important aspect of his art.

"I use different media to create because I think that an idea is more effective in the installation than in painting. The fun of my puzzle work means that the audience has to try to patch up pictures in their minds when watching."

That's why he chose to decompose the image and reorganize, let the audience pay attention to his works, and then think about social problems in history behind the paintings.

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